"Ozawa walked into Old Town night life two seasons ago; in a week which he and the Chicago Symphony were presenting the local premiere of Charles Ives' Fourth Symphony. The Siegel-Schwall Blues Band (Corky Siegel and Jim Schwall), the first band he heard on Wells, became his favorite.
He wasn't recognized when he first appeared at Big John's, the bar where they were playing. And, because he didn't have any identity cards to prove his age, he wasn't allowed inside the door.
"Ozawa was impressed, he returned for many performances and suggested a blues classical collaboration. Siegel worked closely with Russo who then began composing and orchestrating "Three Pieces for Blues Band and Symphony Orchestra." The 1968 premier of the composition featuring the Siegel-Schwall Band and the Chicago Symphony was met with a standing ovation and critical acclaim."
"Three Pieces for Blues Band and Symphony Orchestra was commissioned, composed, and finally played with the Chicago Symphony Orchestra to Ozawa's delight; 'It was a success. Some people think that this is a totally different side of music, but I see it as a convergence in the future. They (Siegel-Schwall) are fantastic.'" - Seiji Ozawa interview 1968 - Airline Magazine
Shelly Plotkin (drums)
Al Radford (bass)
Jim Schwall (guitar)
Corky Siegel (harmonica)
Seji Ozawa (conductor)
San Francisco Symphony Orchestra
Street Music op 65, - A Blues Concerto - composed by William Russo (total time: 31.18)
01. 1st Movement 8.16
02. 2nd Movement 5.18
03. 3rd Movement 8.52
04. 4th Movement 8.53
Three Pieces For Blues Band And Symphony Orchestra op. 50, composed by William Russo (total time: 24.17)
05. 1st Part 8.08
06. 2nd Part 8.58
07. 3rd Part 7.11
08. An American In Paris (Gershwin) 18.03
(Artwork included)
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